MHNF

Finally, we can share some of the images we produced for the new Natural History Museum of Fribourg competition.

Hope you like them!

VR Technopark

Siberia. Krasnoyarsk. On the bank of the Yenisei river, at the site of a former plant, a new
residential area is being designed with the Smart City technology integration. The center of
innovation should become the heart of the area.
While working we have created a VR model of a part of the area as an additional element of
the design development allowing to assess the scale and to get the spatial experience being
both in public spaces and in the interior. In addition, it perfectly helps to solve the tasks of
the project presentation, allowing customers to plunge into the atmosphere of a new location
already today.
Thanks to “Unreal Engine 4”, the users have the opportunity to evaluate new public spaces
and to stroll not only next to the new building of the innovation center, but also to look at the
historical object built in the beginning of the 20th century under reconstruction.
We have also developed several interior locations, with the ability to appraise the views from
the window.
Recorded on video card: Geforce gtx 1080
VR headset: HTC Vive
More: https://www.behance.net/gallery/80296911/VR-prezentacija-tehnoparka

Shaker Kitchen CGI

Earlier in the year we were commissioned to create a number of images displaying our client’s shaker cabinet doors in various colour finishes. We crafted a large kitchen-dining room, with a high level of detail which allowed us to create multiple camera angles. Given that a number of shots were to be created great care was taken to ensure accuracy with room props and styling.

The images were all created using 3DS Max and the final scenes rendered with Corona Renderer. As usual, finishing details and tweaks were made in post production with Photoshop for better accuracy to the product finish.

Coming Back to Life

COMING BACK TO LIFE IS AN ARCHITECTURE MOVIE, A CINEMATIC NARRATIVE LOADED WITH EMOTIONAL CONTENT AND DRAMATIC SCENERIES.

IT IS AN ATTEMPT TO PRODUCE NEW UNDERSTANDINGS OF WHAT IS AN ARCHITECTURAL CONCEPT. IT IS A SIMPLE IDEA REPRESENTED THROUGH A STORYLINE, A PLOT AND A TWIST, BASICALLY A MODERN DAY FAIRY TALE.

THE MOVIE REVOLVES AROUND AN ARCHITECT’S OBSESSION WITH BURJ EL MURR, THE TOWER OF BITTERNESS, A SOARING MONUMENT AND AN OLD LEGACY OF WAR, IN THE HEART OF BEIRUT.

THE FIRST SCENE PORTRAYS OUR MYSTERY MAN ENTERING HIS GLOOMY APARTMENT FACING HIS ARCHITECTURAL FASCINATION, TO BE SURPRISED BY AN EMERGING STRUCTURE SUSPENDED ON THE WALLS OF THE TOWER. SUDDENLY THE DISBELIEF IS INTERRUPTED BY A NOISE THAT APPEARS TO COME OUT OF THE TV, AND THE FRAME BLACKOUTS OUT WHEN IT GETS CLOSER TO THE WINDOW. DIRECTLY WE ARE TRANSPORTED INSIDE AN OPENING OF THE BURJ EL MURR, TO ASCEND THE BODY OF THE CONCRETE BRUTE, PASSING THROUGH THE VOID, THE GREEN SPACE, THE MEMORIAL AND THE RECEPTION AREA. WE ARE THEN DRIVEN OUTSIDE, TO DISCOVER A MONUMENT, ELEVATED FROM THE GROUND. OUR ARCHITECT’S CAR ARRIVES TO THE SCENE WHILE THE STRUCTURE IS COMPLETING ITS GROWTH. FINALLY THE STORY ENDS ON A SHOT OF THE TOWER IN ITS NEW SKIN, STANDING TALL IN THE MIDST OF ALL THE DISTURBING CHAOS OF THE CAPITAL.

Check the Full Story on www.jpag.co