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TRANSIENCE – Experimental Short Film rendered with Corona Renderer 2022
Visual exploration of emotional states – Personal Project
Hope you like it!
Software used:
– Autodesk 3ds max
– Corona Renderer
– Forest Pack 7 ( Vegetation Scattering )
– GrowFX (Vegetation Modelling)
– TyFlow (Particle animation)
– Adobe Painter (Texturing)
– Adobe Photoshop (Texturing)
– Adobe After Effects
– Adobe Premier Pro
F-Loulos Villa is a hospitality project in Mykonos by Chorografoi. Tropical vegetation blended into the wild land of Mykonos, creating a place of calmness and relaxation.
Creating various plants and trees variations to avoid repetition was a key for this particular project. Every palm was custom designed and placed in order to give the tropical feeling accurately.
ARCHITECTURAL ANIMATION
Introducing to you an architectural animation made by Dezoor. This is a product of our heart. It is seriously invested in design, visualization, animation, light, sound,… A house in Japan designed by VTN Architects.
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Rendering: Dezoor Visualization
Creative Director: Hai Dang
Animation: Hai Dang
Modeling: Quy Nguyen
Editor: LinHo Official
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Project: Japanese House
Location: Japan
Design: VTN Architects
I wanted to create a quiet and comfortable atmosphere, so I tested a lot of lights, and finally I chose HDRI-1853 from the great artist Peter Guthrie.
I used some Megascans assets and KKVIZ plant assets, which have incredible details in their latest collection of hanging plants, which is very suitable for my project.
Hope u like it.
Hello again, i’m proud to share with you my latest project – Office Towers Qatar. All images are full CG, no shortcuts taken. I used a lot Railclone Pro,Forest Pack Pro in this project for scattering and and growFX for ivy greenery. Whole project done in 3dsmax, rendered with Vray NEXT.
I hope you enjoy.
Behance project – https://www.behance.net/gallery/1205…s-Towers-Qatar
Cheers
Bartek
The images themselves are 90% CGI with some photography filling in some of the more distance and iconic buildings on Duke Street which leads down to the docks and the far end of Liverpool One. We even got to model the famous Wolstenholme Square “balls-on-stems” sculpture! We went for a muted tonal pallet overall with soft light/shadows and, as the streets are quite narrow, in order to get more light and interest in the lower parts of the images, we opted for post rain streets so we could bring down sunny highlights into the shaded areas through reflections.
